D’après l’examen des dix premières années de «Noi donne» (1944-1954), le spécimen trace le rôle du ciné- ma dans la ligne éditoriale et politique de la revue de l’UDI. D’un coté on montre la stratégie communicative bien conçue de l’hebdomadaire, qui utilise le cinéma et de ses paratextes pour attirer le lecteur-spectateur, et de l’autre on adresse le débat sur le film dans une clé nettement idéologique et engagée
From the examination of the first ten years of the magazine «Noi donne» (1944-1954), the essay marks the role of cinema in the editorial line and policy of UDI magazine. The weekly magazine has a well crafted com- municative strategy, which from one side uses cinema and its paratexts to attract the reader-spectator and on the other addresses the debate on the film in an ideological and markedly committed key.
Il cinema su "Noi donne". Spettatrici, militanti e educazione politica nell`Italia del dopoguerra / Cardone, Lucia. - In: COMUNICAZIONI SOCIALI. - ISSN 0392-8667. - XXIX:2(2007), pp. 300-309.
Il cinema su "Noi donne". Spettatrici, militanti e educazione politica nell`Italia del dopoguerra
CARDONE, Lucia
2007-01-01
Abstract
From the examination of the first ten years of the magazine «Noi donne» (1944-1954), the essay marks the role of cinema in the editorial line and policy of UDI magazine. The weekly magazine has a well crafted com- municative strategy, which from one side uses cinema and its paratexts to attract the reader-spectator and on the other addresses the debate on the film in an ideological and markedly committed key.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
