The essay offers a reflection on the parent-child relationship as portrayed in Lorcan Finnegan’s film Vivarium. Drawing from the dystopian narrative of the film, which premiered at Cannes in 2019, the article examines the thesis of children conceived as “parasites.” It aims to clarify this notion's political, philosophical, and legal implications and explores how it is developed throughout the film
Vivarium: i nostri figli come parassiti / Gazzolo, Tommaso. - In: ETICA & POLITICA. - ISSN 1825-5167. - 2(2025), pp. 519-536.
Vivarium: i nostri figli come parassiti
gazzolo
2025-01-01
Abstract
The essay offers a reflection on the parent-child relationship as portrayed in Lorcan Finnegan’s film Vivarium. Drawing from the dystopian narrative of the film, which premiered at Cannes in 2019, the article examines the thesis of children conceived as “parasites.” It aims to clarify this notion's political, philosophical, and legal implications and explores how it is developed throughout the filmFile in questo prodotto:
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