This is the very first study on the surrealist work Envers l’ombre (1965), a collection of 14 poems by Vincent Bounoure with some illustrations by Jean Benoît. Firstly, we will recall both the historical context and the affective co-text underlying the cooperation of the two artists, as well as the role they had in the continuation of collective surrealist activities after the alleged end of “historical surrealism” decreed by Schuster in 1969 and henceforth maintained by literary criticism. Then, we will propose a philological reconstruction of the compositional stages for some iconotexts of the collection on the basis of several unpublished documents from Bounoure’s archives, never explored before. We will present in particular the examination of some poems by Bounoure and Benoît’s illustrations that accompany them. Finally, we will analyze the variants of an unillustrated poem: “Scepter”, one of the most complex at the interpretative level.

Envers l’ombre, ou les iconotextes de Vincent Bounoure et Jean Benoît / D'Urso, Andrea. - In: DALHOUSIE FRENCH STUDIES. - ISSN 0711-8813. - 125(2024), pp. 103-120.

Envers l’ombre, ou les iconotextes de Vincent Bounoure et Jean Benoît

d'urso
2024-01-01

Abstract

This is the very first study on the surrealist work Envers l’ombre (1965), a collection of 14 poems by Vincent Bounoure with some illustrations by Jean Benoît. Firstly, we will recall both the historical context and the affective co-text underlying the cooperation of the two artists, as well as the role they had in the continuation of collective surrealist activities after the alleged end of “historical surrealism” decreed by Schuster in 1969 and henceforth maintained by literary criticism. Then, we will propose a philological reconstruction of the compositional stages for some iconotexts of the collection on the basis of several unpublished documents from Bounoure’s archives, never explored before. We will present in particular the examination of some poems by Bounoure and Benoît’s illustrations that accompany them. Finally, we will analyze the variants of an unillustrated poem: “Scepter”, one of the most complex at the interpretative level.
2024
Il s’agit de la toute première étude consacrée à l’ouvrage surréaliste Envers l’ombre (1965), un recueil de 14 poèmes de Vincent Bounoure avec des illustrations de Jean Benoît. D’abord, nous rappellerons à la fois le contexte historique et le co-texte affectif à la base de la coopération des deux artistes, ainsi que le rôle qu’ils ont eu dans la continuation des activités surréalistes collectives après la prétendue fin du « surréalisme historique » décrétée par Schuster en 1969 et dès lors entretenue par la critique littéraire. Ensuite, nous proposerons une reconstruction philologique des étapes de composition des iconotextes du recueil sur la base de plusieurs documents inédits provenant des archives Bounoure, jamais explorées auparavant. Nous présenterons en particulier l’examen de quelques poèmes de Bounoure et des illustrations de Benoît qui les accompagnent. Enfin, nous analyserons les variants d’un poème non illustré : « Sceptre », l’un des plus complexes au niveau interprétatif.
Envers l’ombre, ou les iconotextes de Vincent Bounoure et Jean Benoît / D'Urso, Andrea. - In: DALHOUSIE FRENCH STUDIES. - ISSN 0711-8813. - 125(2024), pp. 103-120.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11388/348069
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