The dramatization of epic poetry between Amadigi and Liberata · The study examines the stil- istic analogies and the intertextual references between the pathetic-eleciac episodes of Amadigi and Ge- rusalemme Liberata, identifying a common sensibility in dramatizing the nodal scenes of the poems. Therefore, it is analyzed the battle between lovers Alidoro-Mirinda and Tancredi-Clorinda; the invectives of abandoned Corisanda and Armida; and the lament of Lucilla and Licasta on the lifeless body of Ali- doro and Agelao in relation to the xiith and xixth cantos of Gerusalemme Liberata.
La drammatizzazione dell’epica. Tra «Amadigi» e «Liberata» / Morace, R. - In: STUDI RINASCIMENTALI. - ISSN 1724-6164. - 16:(2018), pp. 99-112.
La drammatizzazione dell’epica. Tra «Amadigi» e «Liberata»
Morace R
2018-01-01
Abstract
The dramatization of epic poetry between Amadigi and Liberata · The study examines the stil- istic analogies and the intertextual references between the pathetic-eleciac episodes of Amadigi and Ge- rusalemme Liberata, identifying a common sensibility in dramatizing the nodal scenes of the poems. Therefore, it is analyzed the battle between lovers Alidoro-Mirinda and Tancredi-Clorinda; the invectives of abandoned Corisanda and Armida; and the lament of Lucilla and Licasta on the lifeless body of Ali- doro and Agelao in relation to the xiith and xixth cantos of Gerusalemme Liberata.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
