The dramatization of epic poetry between Amadigi and Liberata · The study examines the stil- istic analogies and the intertextual references between the pathetic-eleciac episodes of Amadigi and Ge- rusalemme Liberata, identifying a common sensibility in dramatizing the nodal scenes of the poems. Therefore, it is analyzed the battle between lovers Alidoro-Mirinda and Tancredi-Clorinda; the invectives of abandoned Corisanda and Armida; and the lament of Lucilla and Licasta on the lifeless body of Ali- doro and Agelao in relation to the xiith and xixth cantos of Gerusalemme Liberata.

La drammatizzazione dell’epica. Tra «Amadigi» e «Liberata» / Morace, R. - In: STUDI RINASCIMENTALI. - ISSN 1724-6164. - 16:(2018), pp. 99-112.

La drammatizzazione dell’epica. Tra «Amadigi» e «Liberata»

Morace R
2018-01-01

Abstract

The dramatization of epic poetry between Amadigi and Liberata · The study examines the stil- istic analogies and the intertextual references between the pathetic-eleciac episodes of Amadigi and Ge- rusalemme Liberata, identifying a common sensibility in dramatizing the nodal scenes of the poems. Therefore, it is analyzed the battle between lovers Alidoro-Mirinda and Tancredi-Clorinda; the invectives of abandoned Corisanda and Armida; and the lament of Lucilla and Licasta on the lifeless body of Ali- doro and Agelao in relation to the xiith and xixth cantos of Gerusalemme Liberata.
2018
La drammatizzazione dell’epica. Tra «Amadigi» e «Liberata» / Morace, R. - In: STUDI RINASCIMENTALI. - ISSN 1724-6164. - 16:(2018), pp. 99-112.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11388/312450
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