Are proposed some reflections on the nuragic figurative bronze production. The research constitutes the chance to present again some considerations about the distinguishing peaks of the various represented groups and to point out the peculiar traits. The iconography seems to be distinguished by the characters attitude, that often seems to be a factor of precise connotation, by the wearing apparel and by the travelling items that contribute to give the subject's identification elements. Therefore is possible to interpret some elements as relating to aspects of the religious sphere and ostentation of power.
Il messaggio ideologico e celebrativo dell’arte figurativa nuragica / Depalmas, Anna. - (2013), pp. 243-256.