The heritage of the mosaics from Roman Africa is very reach in representations of venationes, thereby demonstrating the strong appeal that the amphitheater spectacles exerted on African society of the imperial age. On the contrary less attention is devoted to the images of gladiators, which are a really rare subject on mosaics of Africa: in the territories actually in Tunisia, the heart of the African mosaic school, we find in fact only three mosaics with figures of gladiators, always commented by short inscribed texts. This paper aims at analyzing this sparse but interesting documentation too often overlooked by the researches on behalf of more striking images, by studying it on the double line of the iconography and the epigraphy. From these arguments arises a frame where vivid and real personalities are moving, whose specialties within the gladiatorial classes we can now understand: these personalities were the heroes of the crowds in majestical buildings for spectacles, which we are finally able to locate and of which, often, impressive ruins remain still today
Immagini di gladiatori nell’Africa romana: il contributo dell’epigrafia e dei mosaici con iscrizione / Ibba, A; Teatini, A.. - (2024), pp. 95-120. [10.13125/unicapress.978-88-3312-133-8]
Immagini di gladiatori nell’Africa romana: il contributo dell’epigrafia e dei mosaici con iscrizione
Ibba, A
Writing – Original Draft Preparation
;Teatini, A.
Writing – Original Draft Preparation
2024-01-01
Abstract
The heritage of the mosaics from Roman Africa is very reach in representations of venationes, thereby demonstrating the strong appeal that the amphitheater spectacles exerted on African society of the imperial age. On the contrary less attention is devoted to the images of gladiators, which are a really rare subject on mosaics of Africa: in the territories actually in Tunisia, the heart of the African mosaic school, we find in fact only three mosaics with figures of gladiators, always commented by short inscribed texts. This paper aims at analyzing this sparse but interesting documentation too often overlooked by the researches on behalf of more striking images, by studying it on the double line of the iconography and the epigraphy. From these arguments arises a frame where vivid and real personalities are moving, whose specialties within the gladiatorial classes we can now understand: these personalities were the heroes of the crowds in majestical buildings for spectacles, which we are finally able to locate and of which, often, impressive ruins remain still todayI documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.