The essay traces back the artistic career of Salvatore Fancello, who was a significant presence in XX Century Italian ceramics, and prematurely died in 1941. Through previously unknown artworks and documents, it explores the artist's relationship with the milieus of the Milanese rationalist culture of the Thirties, and examines the postwar reception of his work.
Il saggio ricostruisce la vicenda di Salvatore Fancello, figura di spicco della ceramica italiana del Novecento, prematuramente scomparso nel 1941. Attraverso opere e documenti inediti ne esplora i rapporti con l'ambiente del razionalismo milanese degli Trenta e esamina la ricezione della sua opera negli anni del dopoguerra.
Et in Arcadia Ego. L'ingannevole Eden di Salvatore Fancello / Altea, Giuliana. - 1:(2016), pp. 7-263.
Et in Arcadia Ego. L'ingannevole Eden di Salvatore Fancello
ALTEA, Giuliana
2016-01-01
Abstract
The essay traces back the artistic career of Salvatore Fancello, who was a significant presence in XX Century Italian ceramics, and prematurely died in 1941. Through previously unknown artworks and documents, it explores the artist's relationship with the milieus of the Milanese rationalist culture of the Thirties, and examines the postwar reception of his work.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
